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Glamour Photography TipsSubmitted by michael on Thu, 2010-07-08 10:00

Make your Speedlights 100% Reliable for Flash Photography

It’s Thursday again so I’d like to share with you a little treasure that I discovered this week. If you are using Speedlights then you wil want to know how to use them 100% reliable.  And I found a little eBook that masterfully answeres exactly that need. As good as this is for you, for me that’s a tradgedy,

because the book covers a lot of the stuff that actually I wanted to cover in my next eBook. But my revenge knows no mercy: I spoil the authors secrets and go through his book in the video below. Make sure you watch it:

Click here and in order to get Ed's eBook

Get 100% Reliable Flash Photography

And here are my bonuses:
1.
If you tell me your biggest takeaway from 100% Reliable Flash Photography, then I will try to dive into the very same topic in my upcoming eBook on Speedlight Photography. I will send you a copy of my book as soon as I got the first really good draft.

2.
If you tell me what topic is missing in 100% Reliable Flash Photography or which topic you would like to see covered more in depth, then I will give you access to my eBook Beijing Blueprints and all it’s download material such as checklists, model contracts and the like.

To get one  or both bonusses just buy 100% Reliable Flash Photography via my afilliate links above or  here, forward me a copy of your email sales reciept and answer one or both questions above.

Good deal? Wonderful! I hope with your input I can draft an eBook that is at least as good as Ed Verosky's... tough time ahead of me.
 

See you next Thursday and until then
I wish you good light!
-- Michael

 

 


seems like a great book, downloading it right now. Don't know when I will be finished reading. I'll try to let you know witch part I'll like to see more covered.

keep up the great work!

kichu bujlam na.........

Pardon me, what does that mean?
Good light!
-- Michael

Like your blog......I came across it while I was looking up info for my Phottix Atlas triggers. You had a video posted demonstrating the triggers. On your blog I found a link to 100% Reliable Flash Photography and immediately downloaded it......It looks great so far........Remember, keep shooting and have some fun!

Hi David!
Thank you so much! I had a look at your blog and I really like that one too. A lot of valuable tips and links!

I wish you good light!
-- Michael

Hi Michael I have read the book of Ed. I must say it's a very good one and it has teached me allot about lighting setup's.
here are my remarks about your questions:
1. the INDOOR & OUTDOOR LIGHTING techniques. it's very handy to see how to position your speedlights at what distance to place them and on what power to set your flash. I don't see how you could describe this better, maybe you could include a one page card you can carry with you, that covers all the setups. (like an index).
2.the topic I missed the most is a topic about the equipment you can use. As for me (I just started with flash photography and I still need to buy equipment) it's not so easy to find what equipment is best for a starter, there are so many things they sell, and I would like to know what’s best to start with( please refer to a website like he did but one that is accessible! the zebra site is one big mess)
For example: when i bought my first speedlight I also bought this set of accessory's http://www.viewfinderphotography.co.uk/product_view.php?prod_id=477 , I don't know it what case I should use wha, so it would be handy to see when to use a dish, when a dome or other stuff. Or tell me if I actually need all that?

I hope my review is helpful to you for your upcoming book.

goodluck with it!

Hi Kris!
That's awesome feedback! Thank you so much! Seems like neither this ebook nor the Marc Wallace videos that you mentioned on Facebook address this type of question.

I'll try to shoot a quick little video to answer this as soon as I can.

In the meantime, I'll send you the download link for my last ebook.

I wish you good light!
-- Michael

Hi Michael

I'm happy the feedback was useful. if you need additional feedback on something you wrote (if it's understandable for a newbie) feel free to ask.

have a great day,
greetings
Kris

picture cracker

pants elephant

Fantastic review and I'm looking forward to reading it and seeing what new I can learn and what I've found missing from other books I've read. Thanks for the sweet incentive and all of your other AMAZINGLY fantastic tutorial videos and reviews. Much appreciated, both for the education and the entertainment/humor. =)

Also, please check the URL for this page... when I enter "http://smokingstrobes.com/reliableflashphotography" I get redirected to "http://smokingstrobes.com/reliableflashphotography " with as space on the end, which translates into "http://smokingstrobes.com/reliableflashphotography%20" when I try to bookmark it.

Thanks a ton, Brian. The space is something that I accidentally typed into the path of the page. I removed it now. Thanks a lot for making me aware of it.

Where should we send you the receipt?

Sorry for my late response! Send it to michael@zelbel.com. Thanks a lot!

Is this still going on?

Yes

Hard to get my thick German accent? Here's the transcript!


Hey fellow photographer! How's it going?
I'm Michael Zelbel.

In this video I will show you a very quick and easy
one-light lighting setup.
I'm using the setup in order to warm up my models before the shoot.
That's very useful especially if you are shooting nude photos,
and you need to get the model comfortable in front of your lens.

The model we are warming up today is Cousin Emily.
You might go like: "Hey come on, Cousin Emily is so
used to photographs. She is a real pro. You don't need to warm her up!"
But, that's wrong actually! I think it's a very good practice
to warm up your model.

If the model is not yet comfortable in front of your lens
and in front of your lights you will read that
in her body language and in her facial expressions.
That gives you results which you usually don't want to have.
So better warm her up and make a sort of artistic shooting
with a few little photos upfront.

Usually you don't have so much time and resources
ahead of your actual shoot that is why I think you should
go for a super simple one-light lighting setup.
Something which is bullet proof, which definitely
produces good results which the model will like,
which is very easy to light and which gives you the
ability to shoot her nude but which does not show anything.
This is what we are going to do.
We achieve that by covering the model with
a big piece of silk so she is hidden underneath the silk.
Let's have a look at the actual lighting setup.

We have a simple black backdrop which is made up
out of two black curtains.
Those curtains have a gap in the middle, right in the middle.
The model is placed in the middle and she is
pretty close to that black curtain, 1.50 meter away.
That's not so much distance.
She is covered with a big piece of white silk,
which is thin enough to let some light go through,
but thick enough to - under normal lighting conditions -
not show anything.

The one speedlight that we use is placed right in
the gap of this two backdrops.
It's in this case a speedlight with guide number 58.
It's dialed down to 1/16th of its power,
zoomed back to 24mm so it got a broad cone of light,
which makes sure the light goes everywhere in the silk,
no matter how the model is posing.
The camera is a little bit further away,
4 meters or 13 feet and it's on standard settings,
1/200s, f/11, ISO400 and daylight white balance.
That's already it. Not so much to setup.

But it's ideal for warming up your model, not only a shy model.
The model may or may not wear underwear,
that really makes no difference.

What makes a bit of difference is the hairdo.
If she is tying up her hair that really makes for some nice,
fancy shapes underneath the silk.

Some mistake that I made in this little shoot was
I had Cousin Emily wearing high heels and jewelry.
It's not such a big difference but on this silhuetted photos
it does not really match the emotion of the photos.
Wearing nothing would be much better.

Especially if you use a little trick:
You can, for instance, turn around the photos 180 degrees
and then it looks like a sort of cocoon.
If she is then inside this cocoon she looks like a
sort of embryo, actually an embryo with boobs,
but still something like an alien embryo.
And then high heels and jewelry, you know,
doesn't really match. But whatever. It's just for warming up. I don't care.

You can give your model permission to do all sorts of
wired poses underneath the silk, wired expressions.
That makes her free to later on also do wired poses.
That really warms her up.
It's ideal for that because she is so covered.

If you still say: "Michael, bullshit, you don't really
need to warm up your model so much!"
I would ask you to do ONE thing, because then
for sure you haven't done one thing:
Have somebody taking nude photos of yourself!
And I really mean that. Do it! Do it at least one time!
I don't blame you if you never did it, but now go
and ask a photography buddy to shoot some nude
photos of yourself.
Because this way you experience how exposed a nude
model feels in front of a lens.
Then you will know that even a seasoned pro of a model
feels quite exposed and it's a good idea to make her
comfortable and warm her up.

Alrighty! Enough for this week, now please click on the like button,
click on the plus one button, drop a comment,
and come back next Thursday!
I wish you good light!
 


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