


Speedlight Tricks and fun with the Phottix Atlas Wireless Flash Trigger
Once you take your speedlights out for a walk and shoot photos outside, even if you don’t go further than your own garden, then you will feel the need for wireless flash triggers such as radio remotes. Yes, they open up a whole new world of lighting. But these hot babies also might burn a hole into your wallet. Before you reach really deeeeeeep into your “Pocket“ and invest in “Wizards” of the well known brands you should have a look at the alternatives. You really should.
I learned this in an expensive way. Here’s what happened: One year ago I purchased a US$1600 set of cutting edge radio triggers with truly amazing features. It was a set of 5 [Insert a product that a bunch of “reputable” photographers endorsed in videos and blog posts]. I bought them only to find out that they are useless for my photography. They turned out to be horribly unreliable and thanks to their design (and the unadvertised fact that you have to put an extra 3cm radio noise cancelling foot underneath the speedlight) they can’t be used with lightformers. I contacted the manufacturer which is [insert company name, very reputable, at least in the past]. They refused to fix their design flaws. Having imported the product to Germany I could not even get back my money. Their local service here in Germany even refused to answer any questions. However, they did have the time to point out to me that importing such radios to Germany was not exactly legal. Thanks guys, why not suing me for buying your shit product?
I learned from that. Now I’m more critical and I buy only from dealers that are happy to take back their products if it turns out that these products fail in the field.
The field, yes, that’s also the stage for the little flick I have for you in this post. I filmed a couple of tricks that I do with my NEW wireless flash triggers, the Phottix Atlas. Most of it can be done with pretty much any radio remote trigger. That’s why I’m sure there will be some tips, takeaways and inspiration in there for you when you see me playing around with the new Atlas.
Since I did not use the Phottix Atlas before, this video also documents my first impression of this gadget. With that said, here’s how you use radio remote triggers to make the light of your speedlights rock. Let it roll:
Want to see the Atlas in the shop? Go check this out:
==> http://smokingstrobes.com/phottixatlas
How to setup your camera and speedlights? Have a look at some examples from today’s photo shoot. I did not photoshop the photos because I’d like to show you the light exactly how it turned out. So please don’t be surprised to find tons of flaws in the photos. I posted the lighting diagrams with the complete settings along.
Try it out yourself and post the links to your results over here in the comments section.
If you have aditional cool idea for using wireless flash triggers please post them in the comments. If possible, add a link to examples. Or if you saw some cool photos using remote flashes online, let all of us know, post it into a comment.
I wish you good light!
-- Michael
Related links:
http://smokingstrobes.com/phottixatlas
Hard to get my thick German accent? Here's the transcript!
Hey fellow photographer! How's it going?
I'm Michael Zelbel.
In this video I will show you a very quick and easy
one-light lighting setup.
I'm using the setup in order to warm up my models before the shoot.
That's very useful especially if you are shooting nude photos,
and you need to get the model comfortable in front of your lens.
The model we are warming up today is Cousin Emily.
You might go like: "Hey come on, Cousin Emily is so
used to photographs. She is a real pro. You don't need to warm her up!"
But, that's wrong actually! I think it's a very good practice
to warm up your model.
If the model is not yet comfortable in front of your lens
and in front of your lights you will read that
in her body language and in her facial expressions.
That gives you results which you usually don't want to have.
So better warm her up and make a sort of artistic shooting
with a few little photos upfront.
Usually you don't have so much time and resources
ahead of your actual shoot that is why I think you should
go for a super simple one-light lighting setup.
Something which is bullet proof, which definitely
produces good results which the model will like,
which is very easy to light and which gives you the
ability to shoot her nude but which does not show anything.
This is what we are going to do.
We achieve that by covering the model with
a big piece of silk so she is hidden underneath the silk.
Let's have a look at the actual lighting setup.
We have a simple black backdrop which is made up
out of two black curtains.
Those curtains have a gap in the middle, right in the middle.
The model is placed in the middle and she is
pretty close to that black curtain, 1.50 meter away.
That's not so much distance.
She is covered with a big piece of white silk,
which is thin enough to let some light go through,
but thick enough to - under normal lighting conditions -
not show anything.
The one speedlight that we use is placed right in
the gap of this two backdrops.
It's in this case a speedlight with guide number 58.
It's dialed down to 1/16th of its power,
zoomed back to 24mm so it got a broad cone of light,
which makes sure the light goes everywhere in the silk,
no matter how the model is posing.
The camera is a little bit further away,
4 meters or 13 feet and it's on standard settings,
1/200s, f/11, ISO400 and daylight white balance.
That's already it. Not so much to setup.
But it's ideal for warming up your model, not only a shy model.
The model may or may not wear underwear,
that really makes no difference.
What makes a bit of difference is the hairdo.
If she is tying up her hair that really makes for some nice,
fancy shapes underneath the silk.
Some mistake that I made in this little shoot was
I had Cousin Emily wearing high heels and jewelry.
It's not such a big difference but on this silhuetted photos
it does not really match the emotion of the photos.
Wearing nothing would be much better.
Especially if you use a little trick:
You can, for instance, turn around the photos 180 degrees
and then it looks like a sort of cocoon.
If she is then inside this cocoon she looks like a
sort of embryo, actually an embryo with boobs,
but still something like an alien embryo.
And then high heels and jewelry, you know,
doesn't really match. But whatever. It's just for warming up. I don't care.
You can give your model permission to do all sorts of
wired poses underneath the silk, wired expressions.
That makes her free to later on also do wired poses.
That really warms her up.
It's ideal for that because she is so covered.
If you still say: "Michael, bullshit, you don't really
need to warm up your model so much!"
I would ask you to do ONE thing, because then
for sure you haven't done one thing:
Have somebody taking nude photos of yourself!
And I really mean that. Do it! Do it at least one time!
I don't blame you if you never did it, but now go
and ask a photography buddy to shoot some nude
photos of yourself.
Because this way you experience how exposed a nude
model feels in front of a lens.
Then you will know that even a seasoned pro of a model
feels quite exposed and it's a good idea to make her
comfortable and warm her up.
Alrighty! Enough for this week, now please click on the like button,
click on the plus one button, drop a comment,
and come back next Thursday!
I wish you good light!





























Oh, I forgot, did I mention something about comments in the video?
I wish you good light!
-- Michael
Hi Michael,
That's a great video test of the Atlas. Well done.
Thank you, Craig. It's so nice to hear that from a great cultural photographer like you.
Good light!
-- Michael
Hello, Michael.
I loved very much this issue, and I'm working on my own version of the funny fridge photo.
I promise I'll show it to you when I'll make it.
Meanwhile, let me show a photo I recently did (and excuse me if I showed it before).
In the second picture, I try to explain the settings, so I think it won't be necessary to post the whole explanation of it.
I would be very happy if you please comment this photo.
The picture:
http://farm5.static.flickr.com/4018/4416777201_030b0a8590.jpg
The explanation:
http://farm5.static.flickr.com/4062/4690623656_598f82627e.jpg
Please let me translate from spanish:
Camara con disparador "cactus": Camera equipped with remote trigger emitter.
Flash con receptor "cactus": Speedlight with remote trigger receiver.
Mesa de cristal: Glass table
Lámina de vinilo blanco: White vinyl sheet (curved)
I wish you good light.
Pedro.
Hola Pedro,
your photo is spectacular! That's what I call high end commercial photography. I'm loving it. Thank you so much for sharing the lighting setup. That's very kind.
Good light!
-- Michael
Thank you, Michael.
Once again, a very informative video. This kind of information that I have been looking for quite a while, but have not had much luck finding. Simple, easy to understand and doesn't require a million dollars in flashes and lighting equipment.
...and I forgot to mention, very entertaining.
As I promised you, here's my version of the fridge photo: :D
http://farm5.static.flickr.com/4142/4798676953_a25f07cfe3_z.jpg
I wish you good light!
Pedro.
As I promised you, here's my version of the fridge photo: :D
http://farm5.static.flickr.com/4142/4798676953_a25f07cfe3_z.jpg
I wish you good light!
Pedro.
Hahahah, a scene from the movie Alians 8!
Good light!
-- Michael
I have to say that this is one of the most enjoyable video reviews I have ever watched. I was searching for a review of the Phottix Altas and was very glad to come across your website. Keep up the good work.
Danny
thank you very much, Daniel
love these pics about lighting, meanwhile have to say it is a great teaching video to anyone. Nice work!
Xiexie ni!
Cool fridge shots!
I wanted to say I’ve been testing radiopoppers and have found them very reliable. For example, I used the JrX to trigger a small moonlight mounted in the backseat of a car from about 65-ft away. A sample shot is on my blog here:
http://zoomstreet.wordpress.com/2010/07/09/parr-taaay/
Poppers, I believe, are less expensive than PW products and appear to have greater range.
Phottix is becoming very popular.
I've just ordered a set of 4 Atlases, after watching your review. Cant wait till they arrive!
Danny
I'm sure you will have a lot of fun with them, Danny. Do you already have some nice ideas for photos that are radio lit?
It's a really cool and useful video! Thanks!
I'm using a Phottix Tetra trigger, and I'm satisfied with it, but this Atlas looks also very good!
Just found the phottix atlas manual online: http://www.reddotphoto.com.sg/forums/showthread.php/323-Phottix-Atlas-ma...
Appreciate the attention to detail with putting this together, answered a lot of questions for me.
Thanks for the detailed review Michael. Just bought a set of atlas. Will be using them soon.
Great job again. Btw, I bought my atlas from www.camera2u.com/Flash-Accessories/Phottix-Atlas-All-in-One-Wireless-Fla...
how much are these in US dollars?
i can not find them on ebay or amazon maybe they don't send them to America?
Now that you have had them for a while how are you impressed with them?
like the videos.
Hi Cousin,
I got mine directly from Phottix: http://cot.ag/dFul7u. I don't know their current price in US$ (just set the currency to US$ in their store), but I now that they do ship to the US. They have a version that has FCC clearance so shipping should be no issue.
I don't think that they will sell their stuff on eBay ever. Their strategy is opening branches in different countries and also sell via established distributers.
I'm absolutely happy with the Atlas. I did not find any downsides. If you already own Pocketwizards and you want them to play with each other then make sure that both devices are either US or European versions. Otherwise they might run on different radio bands and may not find eachother.
Hallo Michael,
wie immer pfiffig und aufschlussreich, eure Videos, danke!
Was die Transmitter/Receiver betrifft bzw. Deiner leisen Kritik daran, bin ich auf folgendes System gestossen:
http://www.radiopopper.com/products (radiopopper PX)
Die können sowohl manual Mode, i-TTL als auch E-TTL plus zusätzlich High Speed Synch!
Eine interessante Anwendung gibts etwa hier:
http://www.youtube.com/watch?v=cP6a47BQA70&feature=player_embedded#!
Leider konnte ich die Dinger selbst noch nicht testen, aber meiner Einschätzung nach sind sie unschlagbar...
Schöne Grüsse aus Tirol
Sure, I know the radiopoppers. However, I would still say that to this date I do not know any radio remote system that supports ETTL or iTTL and at the same time is reliable or even fun to work with. I guess we did not arrive there yet.
Love the article! Thank you for sharing your review of a good product and your techniques.
I really love your approach to creating cool pics!
Thank you so much cousin James!
You've hit the ball out the park! Incrdieble!
hahah nice post! I like the drawings you did! LOL that cracked me up.. But, in all seriousness, I love that swim suit!
Fair enough! I love the model... in the swim suite :-)
I really want to try the open shutter technique to create a blurred background in my photo. I saw it in a film the other day but I don't know how to do it. Can anyoen advise me?
Hi! Michael, awesome videos, how do you deal with grain in such high ISO values? In the scene 6, is it possible to trigger speedlights at a greater power to gain one or two ISO steps??
Thanks
i've done scene# 7, in scene# 4, looks a little haxt around subject's face...was it bcoz of the backlit?
sorry. i mean HAZY