


Got no Strip Light? What would MacGyver do?
If I got the chance to shoot some awesome bodyscapes but I don’t have a striplight with me – should I let this chance just pass? Dude, no way!
When I was young, I’ve seen MacGyver on TV. Give that dude a ballpoint pen and a chewing gum and he will manufactor the wildest things out of it. A bomb, a laser or whatever he needs on his quest. So in situtation where I need a striplight but I just don’t have one I will ask myself: What would MacGyver do?
You can see my answer in the video below. It has to do with two speedlighs, kitchen paper and some Scotch tape. Well, maybe I’m not exactly as skillful and stylish as MacGyver, but hey, the light we got was awesome.
Check it out in the video and then try it out yourself:
When you try out this photography technique at home, please use speedlights for your photo shoot. Don’t try it out with lightsources that produce high temperatures. I mean, of course you want your models to look hot, but you don’t want them to go off in flames, do you? With that said, here is the lighting diagram:
Some example photographs from this bodyscape photoshoot:
Models: Linxi and Sasha
Location: Hotelroom in Beijing
Photos: Michael Zelbel
Postproduction: Renzy Memije
(cc) michael@zelbel.com, some rights reserved
Hard to get my thick German accent? Here's the transcript!
Hey fellow photographer! How's it going?
I'm Michael Zelbel.
In this video I will show you a very quick and easy
one-light lighting setup.
I'm using the setup in order to warm up my models before the shoot.
That's very useful especially if you are shooting nude photos,
and you need to get the model comfortable in front of your lens.
The model we are warming up today is Cousin Emily.
You might go like: "Hey come on, Cousin Emily is so
used to photographs. She is a real pro. You don't need to warm her up!"
But, that's wrong actually! I think it's a very good practice
to warm up your model.
If the model is not yet comfortable in front of your lens
and in front of your lights you will read that
in her body language and in her facial expressions.
That gives you results which you usually don't want to have.
So better warm her up and make a sort of artistic shooting
with a few little photos upfront.
Usually you don't have so much time and resources
ahead of your actual shoot that is why I think you should
go for a super simple one-light lighting setup.
Something which is bullet proof, which definitely
produces good results which the model will like,
which is very easy to light and which gives you the
ability to shoot her nude but which does not show anything.
This is what we are going to do.
We achieve that by covering the model with
a big piece of silk so she is hidden underneath the silk.
Let's have a look at the actual lighting setup.
We have a simple black backdrop which is made up
out of two black curtains.
Those curtains have a gap in the middle, right in the middle.
The model is placed in the middle and she is
pretty close to that black curtain, 1.50 meter away.
That's not so much distance.
She is covered with a big piece of white silk,
which is thin enough to let some light go through,
but thick enough to - under normal lighting conditions -
not show anything.
The one speedlight that we use is placed right in
the gap of this two backdrops.
It's in this case a speedlight with guide number 58.
It's dialed down to 1/16th of its power,
zoomed back to 24mm so it got a broad cone of light,
which makes sure the light goes everywhere in the silk,
no matter how the model is posing.
The camera is a little bit further away,
4 meters or 13 feet and it's on standard settings,
1/200s, f/11, ISO400 and daylight white balance.
That's already it. Not so much to setup.
But it's ideal for warming up your model, not only a shy model.
The model may or may not wear underwear,
that really makes no difference.
What makes a bit of difference is the hairdo.
If she is tying up her hair that really makes for some nice,
fancy shapes underneath the silk.
Some mistake that I made in this little shoot was
I had Cousin Emily wearing high heels and jewelry.
It's not such a big difference but on this silhuetted photos
it does not really match the emotion of the photos.
Wearing nothing would be much better.
Especially if you use a little trick:
You can, for instance, turn around the photos 180 degrees
and then it looks like a sort of cocoon.
If she is then inside this cocoon she looks like a
sort of embryo, actually an embryo with boobs,
but still something like an alien embryo.
And then high heels and jewelry, you know,
doesn't really match. But whatever. It's just for warming up. I don't care.
You can give your model permission to do all sorts of
wired poses underneath the silk, wired expressions.
That makes her free to later on also do wired poses.
That really warms her up.
It's ideal for that because she is so covered.
If you still say: "Michael, bullshit, you don't really
need to warm up your model so much!"
I would ask you to do ONE thing, because then
for sure you haven't done one thing:
Have somebody taking nude photos of yourself!
And I really mean that. Do it! Do it at least one time!
I don't blame you if you never did it, but now go
and ask a photography buddy to shoot some nude
photos of yourself.
Because this way you experience how exposed a nude
model feels in front of a lens.
Then you will know that even a seasoned pro of a model
feels quite exposed and it's a good idea to make her
comfortable and warm her up.
Alrighty! Enough for this week, now please click on the like button,
click on the plus one button, drop a comment,
and come back next Thursday!
I wish you good light!

Ha, Ha. You Know, you're better than McGiver.
Nice photos.
Best regards.
Better? Not at all.
Let's hook up on Facebook.
Good light to you too! Thanks for that little tut there. It was very well put together and you got some great results. Shame about the grey strips in your images, but I understand that you Canon shooters have to put up with some of those little niggles, hehe ;)
> Shame about the grey strips
I'll soon upload it on my portfolio website. Without censorship strips. But over here in the blog I'd like to keep it safe for work. I don't want to offend readers.
> I understand that you Canon shooters
> have to put up
Yes, absolutely. And it sucks. One problem is, that my little 5D MK II gives me much more resolution than camera's of other brands in that price range. Another bummer is, that the Canon lenses in general are sharper than comparable models of other Japanese brands. And combined this is a real issue. It makes my photos so sharp and crisp, I even have to add those censorship stripes, just in order to guarantee for the safety of the viewers, who otherwise might hurt their eyes with all the sharpness and clarity, you know?
That is crazy cool! Well done and well thought out. I agree the shots are fantastic and resemble hard work developing a seamless background, lighting (always key) and knowledge of your lenses and camera. Really like seeing innovation at work. Well done.
Thanks a lot Donn. I'm always happy to share know how about cameras and lighting.
Great and simple idea! I guess sometimes we forget to think simple.
Thanks a lot Cesar. That is an excellent takeaway.
For someone with not much equipment like me was a great video to learn simple strip lighting. Photos were very sensuous and wonderful!! Thank you
Thank you, Dennis. I'm in the same boat - at least when I am in China. During those times I only have the gear that fits into my hand luggage and my one, single bag of check in luggage.
Love your humour and the neat solution.
All I need now is two portable and vertical TV cabinets for location strip lights..!!
Absolutely fantastic !!
great videos... great info and tricks.. good help .. thanks for the good videos and keep making for all.
Klasse Idee mit dem Küchenkrepp :-)
Super schönes Ergebnis.
Ahoi Claus
I am bouncing back and forth from youtube to here so I can view the video and then comment on them. I feel like just in this short time of knowning and seeing your video that I have learned so much can't wait to put them into practice.
Thanks for the video! Reminded me that If I only have the built-in flash with me of the Canon 30D I will place a white restaurant napkin in front of it, which has about the same translucency as the paper towels you used. It meant I had to increase the flash intensity by 1/5 stops but would result in a nicely diffused light.
Sorry I meant 1.5 stops..
Hahaha, a napkin - very cool! I guess a lot of people bought the new 7D - your trick should work on that one as well. Usually the camera should compensate for the napkin automatically. But OK, pushing it 1 1/2 f-stops, no big deal.
Thanks for the nice suggestion!
Hey, I'm lovin' your work...and your humour and inventiveness. It is truly inspiring. I just discovered you tonight. I loved the horsey themed shoot, especially you in a hay-skirt with whip! You are way too funny. It's so refreshing to see the 'teach' as someone that isn't all techie and nerdy. I love germans and drive german too! I'm a northern Manchester girl, living in London, UK and look forward to seeing more great inspiration from you. I am looking to incorporate more off-camera lighting to my work. Thanks for the great videos, diagrams and BIG PERSONALITY! Cheers! Keep up the good work.
Blush! Thanks for the compliments! BTW, Emily and I were living in Wapping back in the days when we were London based.
That was some serious MacGyver action right there!
Clever as MacGyver may be, I bet he couldn't figure out how to control light like Cousin Michael!
I have a similar entertainment center and I want to try this out asap...
thanks so much for sharing, it is much appreciated!
Gutes Licht!
Thanks a lot cousin Hunter. And let us know how it worked for you!
Hey Michael,
I just love your blog and your great video tutorials. You are awesome. I'm a German amateur (from Wanne-Eickel ;-)) but living in Hanoi, Vietnam since some years ago.
Any plans to make a shoot here some day... not that far from Beijing...
Cheers.
Chris
I'd love to drop by, Chris. I don't know when/if I get a job over there any time soon. But if you have a special idea regarding a particular shoot, let's talk about that.
Well explained and a great idea. I like the approach! You could also use the same approach with a bookshelf, for a higher up softbox strip effect.
Hi Michael, i'd like to thank you also.
Great ideas with not using all the expensive equipment that we'd have to try buy, to get the results you get, instead you have shown that even beginners without all the gear can achieve similar results with everyday objects that nearly every household has available.
cheers
steve :)
Thanks a lot, Steve!
I think that was great shoot. It was very well put together and you got some great results. Shame about the grey strips in your images. Thank you.
Hey thanks for all of your great videos. I'm loving them and slowly getting through them all. I am becoming addicted to them ;) Just one question- I have watched the video with making a softbox with the shower curtain and now I have watched this one with the strip light, but can you please explain to me what is the difference between a softbox and a strip light in terms of lighting and results???
Cheers :)
Yes, let's say your subject has a certain height and width and you point a softbox or a striplight on your subject. Then the difference is:
Softbox: Soft lighting accross the height AND the width
Striplight: Soft light across height OR width, hard light along the other axis
The reason for that is the difference in shap of the lightmodifier. A softbox is nearly square, while a striplight is pretty high, but slim. The light is soft on our subject as long as the lightsource is big in relationship to the subject. If you use a 5 feet tall striplight to light your model and you have it upright, then the height of the light is big. So from top to bottom the light will be smoothe on your model. But if it just one feet wide, then this is not so big. So the light from left to right is kinda hard and edgy.
In this video it's the other way around, because the striplight is "laying". The light is floating smoothly horizontally over our models. But from top to bottom, the light is falling off very quickly. This makes our rather thin models appearing nicely three dimensional. If we use a softbox for that, then the curves would stand out a little bit less.
inventive
Thanks a lot, cousin Ed!
I love your work! I love the way you play with the light! I love the way you explain! It is so much useful! Do you have any recommendations regarding where could i take a good photography course?
If you are serious about taking better photos then my coaching group would teach you all you need to improve your photography.